"It's that it has matured."īut even if Jerma's big shows are making money now, he knows there are no guarantees in the world of livestreaming. "It's not that the streaming space is maturing," she said. To D'Anastasio, the scale of these productions is just more evidence that livestreaming isn't an upstart, fringe concern. For the Dollhouse stream, Coinbase chipped in, and the baseball stream received support from Fansly, an adult content and social media platform, and Manscaped, a male grooming company. Jerma said his shows are paying for themselves. He's represented by Evolved Talent Agency, which helps, and some sponsors are seeing the potential. "I kind of just throw punches wildly in the air."Ĭlowns distract an opposing pitcher by juggling across the pitcher's mound during the baseball livestream. I don't really punch up that much either, though," he said. That said, Jerma sees himself as more "e-clown" than artist or provocateur. Both he and Jerma are blurring what's real and what's not and playing heightened versions of themselves, and there's often a satirical bent to their work. You look at what Nathan Fielder is doing, right?" Why Twitch?įielder is a useful reference point. "Not everything has to have a joke attached to it. "When I'm just calling balls and strikes and doing all these wacky things, in my mind I'm going, 'I hope this is funny. "It's like a live comedy improv show," he said.Īnd no matter how weird and convoluted his shows might get, Jerma is always looking for laughs. Jerma directed his cast, but he also let them make decisions on the fly. "I open up the default Windows WordPad, and I just start to write stuff." "I don't even have Microsoft Word," he said. Once Jerma had a cast, he gave them an outline of the game, along with pages and pages of gags he'd come up with - although he doesn't like being called a writer.
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